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Little Frog in High Def

Adventures in Editing
    Little Frog In High Def


    Archive for October, 2011

    Hey…do you live on the East Coast?  More specifically, North East?  And are you in Post Production?  Then you MUST go to the Boston Supermeet.  Well, do what you want, but really, this is a great place to meet people, see famous and talented people talk about the ART of the craft (how often do you get to see that?), and talk directly to hardware and software vendors.  Get out of the house…you can DVR that TV show and watch it later.  Seriously, I have many many friends that I know mainly from LAFCPUG and Supermeet get togethers.

    I mean…Walter Murch.  Listening to this man talk is an experience. He doesn’t think like the rest of us do.

    Here’s the speil…

    Los Angeles CA / Boston MA – The agenda has been set for the Second Annual

    Boston SuperMeet, to take place on Thursday, October 27, 2011 at the Stuart

    Street Playhouse, Radisson Hotel Boston in Boston, MA. The SuperMeet stage

    show will begin at 7:00PM and continue until 11:00PM. Doors open at 3:30pm

    for the “SuperMeet Digital Showcase” featuring over 15 software and hardware

    developers. Tickets are on sale online only for $10.00 each and $7.00 for

    students and Teachers with valid ID. The Boston SuperMeet marks the last

    city stop in celebration of the Tenth Anniversary of SuperMeets in 2011 and

    is expected to sell out as historically every SuperMeet sells out.

    Scheduled to appear on the SuperMeet stage will be Oscar and BAFTA winning

    film and sound editor Walter Murch, who has recently completed post

    production on director Philip Kaufman’s HEMINGWAY AND GELLHORN, starring

    Nicole Kidman, Clive Owen and Robert Duvall.

    This will be the first public appearance by Walter Murch since the launch of

    Final Cut Pro X. It is expected Murch will share his thoughts on Final Cut

    Pro X, but more importantly give Boston SuperMeet attendees a rare chance to

    listen to and learn from Walter on the craft of editing itself.

    In addition to Murch, Avid will feature Andrew Weisblum, A.C.E., who will

    discuss his editorial workflow on BLACK SWAN. Weisblum was also editor on

    THE WRESTLER, and supervising editor on FANTASTIC MR. FOX, among other

    credits. Avid is also slated to make a very special announcement.

    Canon has just announced the Canon EOS-1D X DSLR, Canon’s latest DSLR

    redesigned from the inside out, and presenting on behalf of Canon will be

    filmmaker Jem Schofield of, who will talk about Canon’s new DSLR,

    which features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+

    Imaging Processors, a third dedicated DIGIC 4 Imaging Processor for metering

    and AF control, a completely new 61-Point autofocus, 14-bit A/D data

    conversion, fast shooting up to 12 frames per second (FPS), Full HD video

    recording and much more. Jem is an engaging presenter and is certain to

    share some interesting news at the SuperMeet as well about his DSLR workflow

    and on the present and future state of Canon EOS filmmaking.

    Colorist Alexis Van Hurkman, who spoke on behalf of Blackmagic Design at the

    recent London SuperMeet, returns to the stage to share new workflow and

    support for Final Cut Pro X on Version 8.1 of DaVinci Resolve for Mac.

    Hurkman will discuss how, in the last nine months, DaVinci Resolve from

    Blackmagic Design has changed his color correction practice. In the process

    he’ll show off a few of his favorite Resolve workflow and color correction

    features in examples from projects he’s worked on this last year, which

    includes the television pilot NUCLEAR FAMILY and the feature CARGO, and give

    insight based on years of experience grading and finishing broadcast content

    for The History Channel, for the BBC, and for The Discovery Channel Network.

    Marc-André Ferguson, the SMOKE Industry Manager at Autodesk, will

    demonstrate groundbreaking new finishing workflow for SMOKE on Mac OSX using

    the latest Thunderbolt enabled MacBook Pros from Apple and a Promise

    Technology Pegasus Thunderbolt RAID. Ferguson, a long-time Final Cut Pro

    editor and Adobe After Effects artist, will demonstrate how accessible

    Autodesk SMOKE really is, how to blast past the apparent steep learning

    curve it has and hit the ground running to bring the power of SMOKE on the


    Rounding out the evening will be the always wild and fun “World Famous

    Raffle,” where over $50,000 of dollars worth of valuable filmmaker-related

    prizes will be handed out to dozens of lucky winners, including a fully

    licensed copy of Autodesk SMOKE on Mac OSX (value $14,995).

    While the main SuperMeet presentation will begin at 7pm, doors are scheduled

    to open at 3.30pm with the SuperMeet Digital Showcase featuring over 20

    filmmaker-related software and hardware developers including Adobe, AJA,

    Apogee Digital, Autodesk, Avid, Blackmagic Design, Boris FX, Canon,

    EditShare, Fast Forward Video, Genarts, G-Tech, HB Communications, Imagine

    Magazine, JVC Professional, Matrox, Manhattan Edit Workshop, Noise

    Industries, Promise Technology, Raven Research, Talamas Broadcast, and more.

    Here, attendees can enjoy a few cocktails, mingle and party with industry

    peers, network one on one with leading manufacturers and learn about the

    latest trends in collaborative editing workflows for post production and

    broadcast markets.

    Tickets are on sale online only at $10.00 each plus ticket fee (includes 2

    raffle tickets) for Adults and $7.00 for students and Teachers, or $20.00 at

    the door. Complimentary and tasty hot hors d’oeuvres and cash bars will be

    available throughout the evening. To purchase tickets online, directions,

    transportation options, and a current list of raffle prizes, visit the

    Boston SuperMeet web site.

    The thirty-eigth episode of THE EDIT BAY is now available for download.

    Camera people always leave me notes on the footage they shoot…this is my note to them.

    To play in your browser or download direct, click here.

    To subscribe to this podcast in iTunes, CLICK HERE.