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	<title>Comments on: LITTLE FROG QUIK TIP #1-TELEPHONE/RADIO AUDIO</title>
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	<link>http://lfhd.net/2010/04/07/little-frog-quik-tip-1-telephoneradio-audio/</link>
	<description>Musings of an NLE ronin...</description>
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		<title>By: Michael Gissing</title>
		<link>http://lfhd.net/2010/04/07/little-frog-quik-tip-1-telephoneradio-audio/comment-page-1/#comment-2500</link>
		<dc:creator>Michael Gissing</dc:creator>
		<pubDate>Sat, 24 Apr 2010 02:47:35 +0000</pubDate>
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		<description>EQ is a good start. For telephone, the high pass frequency can be up around 900khz. I also add a parametric spike in the audio at 1.5khz with a Q of around 7 and heavy dynamics compression. If you have access to a distortion plugin, it helps to grunge it a bit. If it is a radio, small room reverb helps.

Two other tricks are to feed the signal into a headphone or a cheap computer speaker and re-record the signal with a microphone. The other more serious trick is to use a convolution reverb and an impulse response sample of a real telephone or small radio speaker. IRs of really strange shapes and speakers are out there on the web if you have access to VST plugin software and a convolution software like SIR2, Voxengo or Waves (to name a few).</description>
		<content:encoded><![CDATA[<p>EQ is a good start. For telephone, the high pass frequency can be up around 900khz. I also add a parametric spike in the audio at 1.5khz with a Q of around 7 and heavy dynamics compression. If you have access to a distortion plugin, it helps to grunge it a bit. If it is a radio, small room reverb helps.</p>
<p>Two other tricks are to feed the signal into a headphone or a cheap computer speaker and re-record the signal with a microphone. The other more serious trick is to use a convolution reverb and an impulse response sample of a real telephone or small radio speaker. IRs of really strange shapes and speakers are out there on the web if you have access to VST plugin software and a convolution software like SIR2, Voxengo or Waves (to name a few).</p>
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