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	<title>Comments on: AFTERGLOW-BEFORE AND AFTER</title>
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	<link>http://lfhd.net/2010/03/11/afterglow-before-and-after/</link>
	<description>High definition editing from the trenches...</description>
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		<title>By: Craig Mieritz</title>
		<link>http://lfhd.net/2010/03/11/afterglow-before-and-after/comment-page-1/#comment-2243</link>
		<dc:creator>Craig Mieritz</dc:creator>
		<pubDate>Wed, 17 Mar 2010 15:20:41 +0000</pubDate>
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		<description>Looks great, Shane. That was really nicely lit/exposed footage.</description>
		<content:encoded><![CDATA[<p>Looks great, Shane. That was really nicely lit/exposed footage.</p>
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		<title>By: AndrewK</title>
		<link>http://lfhd.net/2010/03/11/afterglow-before-and-after/comment-page-1/#comment-2213</link>
		<dc:creator>AndrewK</dc:creator>
		<pubDate>Fri, 12 Mar 2010 20:35:13 +0000</pubDate>
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		<description>Nice.  I think my favorite shot is the CU of the guy right after the lights go out.  The shot of his face after the balls start lighting up would be a close second.

This is a good example of how you should shoot when your intention is to make something dark or moody.  So many times I get footage that was shot way too dark and all I have to work w/is a low latitude image with nothing but noise in the shadows.</description>
		<content:encoded><![CDATA[<p>Nice.  I think my favorite shot is the CU of the guy right after the lights go out.  The shot of his face after the balls start lighting up would be a close second.</p>
<p>This is a good example of how you should shoot when your intention is to make something dark or moody.  So many times I get footage that was shot way too dark and all I have to work w/is a low latitude image with nothing but noise in the shadows.</p>
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