I need a hobby. Well, an inexpensive one. I really want to get into cycling and get a road bike, or get one of those single gear really LIGHT ones but then I have to shell out cash for a bicycle and all the extras. But then I’d be shape at least.
So what do I do for a hobby? Play with plugins and workflows and see what works and what doesn’t. I REALLY should play with MOTION so that I can learn that application. That’s what a friend of mine does as a hobby, and he is so good, that he wrote a book on how to do really cool things with Motion. But I get all into solving puzzles like how can I get an Avid Adrenaline that was on a PC onto the Mac I have running FCP?
The latest thing is that soon we will have a client that wants us to finish a project of theirs. Online it and color correct it. They shot on P2 and captured everything at full resolution, we just need to color correct it and output. And I have gotten really handy with COLOR, so I’d like to do it there. Only thing is…they are on an Avid Media Composer. So how on Earth do I get TAPELESS footage from Avid to FCP to then send to Color? If it was tape, I could recapture. But tapeless?
I know that I can use Automatic Duck to export and EDL from Avid and open that in FCP and have a nice full sequence that will need recapturing. And I have done this before…on tape. But tapeless? Can I batch capture only what is needed.
Luckily I didn’t need to figure that out. Because The Duck (the nickname for Automatic Duck) has a great new feature. Not sure how new, but recent. This feature allows you export an AAF with Imbedded media. And then Automatic Duck, thru FCP will import that and create quicktime reference movies that are tied to the MXF format, or OMFI format Avid files. Go watch the demo here…it’s pretty slick.
So I did that. Imported some P2, did a quick little nonsense edit. Added a couple filters. Then exported the AAF, opened Final Cut Pro (after rebooting the computer to that partition), imported that AAF and FCP with the aid of The Duck Importer imported the cut and the media…intact. And was is REALLY cool, it makes a bin of that footage, and you get not only the clip, but the ENTIRE clip. So if you need to extend shots or look for more footage on that file, you can, and re-edit!
OK then…now the big test. Can I then send this to Color (because it is DVCPRO HD QT files, it SHOULD work), color correct, then render out to FCP again.
I did the send to Color easily…all the files showed up. I color corrected, then rendered, and got brand new QT files (as is normal with COLOR) linked to the new exported cut. Worked like a charm. Not bad Wes…not bad.
Now…I wonder what I need to do with MXF 145 or 220 files. If I need to import them, then transcode to ProRes. Hmmm…that bears testing…